When given the opportunity to return to an absurd, gleefully dark galaxy, artist Phoebe Titus jumped at the chance. After drawing last year’s first instalment of Douglas Adams The Hitchhiker’s Guide to the Galaxy, Titus again puts her pencils and brushes to use to create images from Adam’s words.
“Drawing, painting, and creating are funny things. They take a lot of time and a lot of work. Actors probably have a similar experience when they’re in a role; you inhabit your work while you’re doing it, so it invades your whole life. It’s fun to have a project where all the images are imaginative and fun…There are also some unique challenges to making images that get projected live behind people. Brush strokes, movements, and colors look very different in that context and it’s fun to see it all come together,” said Titus.
Though all rules are bent in Adams’ Galaxy, it is the limitations of the medium that make the story powerful, and also give Titus the inspiration to paint.
“One of the best things about doing this project is trying to come up with what everything and everyone is going to look like. How do I really get the character of Majikthise across? What’s so magical about his thighs? What about the couch that comes alive? What sort of couch comes alive? Is it cushy? Ratty? Modern? These are fun questions to ask!”
With these questions in mind, and many more, Titus creates the art of Adams’ Universe. It is a time and place reminiscent of the Twilight Zone if it were written by Monty Python. Hitchiker’s is an absurd look at reality through the guise of satire. By allowing the listener, or the reader depending on your favorite version of the story, to laugh at the banality of the Galaxy we are better able to laugh at ourselves.
To Titus, the genius of Douglas Adams’ writing is that he’s able to turn everything on its head: Eternity is a joke, people are people, aliens are fundamentally flawed in the same way people are, and time plods on no matter where you are in it.
“Nothing and everything matters. It’s comforting, almost cozy. Then there’s the wonderful way he drags everything to its absurd logical conclusion, like the creatures who evolve several times a day because they’re so impatient, and how inconvenient that is for them. The common theme is that everyone’s lives are annoying, full of idiots who don’t know what they’re doing, and destined to end at any moment. Yet somehow he makes that all seem hilarious and endearing.”
Titus was first attracted to the “gleefully” dark humor of the material. “They get flung all over time and space while this planet or that gets exploded yet they’re all hung up on bickering with each other and trying to get a drink.”
Philosophy, stupidity, and the mundane mix as Adams’ worlds collide, reconfigure, and expire. With odd characters at every turn and clever turn of phrases lurking in every narration, The Hitchhiker’s Guide to the Galaxy is bound to entertain young and old.
“My kids saw Part 1 last year and have been familiar with the stories for years, so that cat’s out of the bag; however, if I was to try to pinpoint what I’d like them to take away from this I’d want them to know that they shouldn’t bother trying to figure out the meaning of life and just focus on living. Then I’d remind them to make sure they keep their phones clean and sanitary. It’s the little things, you know?”
In part two, the characters visit the legendary planet Magrathea, home to the now-collapsed planet-building industry, and meet Slartibartfast. Through archival recordings, he relates the story of a race of hyperintelligent pan-dimensional beings who built a computer named Deep Thought to calculate the Answer to the Ultimate Question of Life, the Universe, and Everything. Ford and Arthur find themselves trapped on primitive Earth as Zaphod makes a run for it.